Lord Finesse, one of the great, unsung producers of hip-hop, just delivered a sonic time machine. The SP1200 Project: Sounds & Frequencies in Technicolor is more than just an instrumental album—it’s a testament to the rich, textured sound of hip-hop’s golden era, crafted by one of the Bronx’s finest.
A Response to Over-Compressed Modern Soundscapes
Lord Finesse, a certified legend in beat-making and crate-digging, put this project together as a counter to the heavily compressed production style dominating modern hip-hop. “Sonically, a good amount of today’s hip-hop music sounds like it’s being played under a heavy quilt,” Finesse explains. “Certain frequencies are buried, and they can’t be felt or heard, destroying the vibe and energy of the production—no matter how good it is.”
With that mission in mind, he dove into his archives, unearthing beats that had either been originally crafted for his own projects or for hip-hop royalty like Big L and Grand Puba. Some had never even seen the light of day—until now.
A Production Experience You Can Feel
The result? Sounds & Frequencies in Technicolor is an absolute feast for hip-hop purists. Across 17 tracks, Finesse delivers masterfully flipped samples, hard drum patterns, and an undeniable groove that keeps your head nodding from start to finish. Tracks like “Soul Love,” “King of Diggin,” and “Blacked Out” showcase his production wizardry, while “Get Right” (courtesy of Powerule) is a reminder of the timeless magic that can be found in deep-cut hip-hop gems.
A Must-Have for Hip-Hop Heads
This isn’t just another instrumental album—it’s a masterclass in the art of hip-hop production. Lord Finesse’s ability to blend funk, soul, and gritty hip-hop textures into something fresh yet deeply nostalgic is unmatched. Sounds & Frequencies in Technicolor isn’t just a trip down memory lane—it’s a blueprint for what hip-hop production should feel like.
Go grab a copy of the limited edition vinyl.