Producer Interviews
696 posts- CK·3780Nashiem Myrick Talks The Commission & Carlos Broady06.24.2010 · Pt. 2 of Grind Music Radio's interview with Nashiem Myrick has the producer discussing The Commission, meeting and working with fellow producer Carlos Broady,
- CK·3758Nashiem Myrick On The Making of "Who Shot Ya"06.20.2010 · Grind Music Radio returns with Nashiem Myrick (CNN, Black Rob, Ma$e, Mariah Carey, Lil' Kim) of Bad Boy's Hitmen as he discusses his start in production
- CK·3754DJ Funktual Interviews Ski Beatz @ DD172 aka The Dojo06.19.2010 · DJ Funktual caught up with Ski Beatz in the Dojo to discuss the producer's history, being discovered by Mister Magic & Marley Marl, working with Original
- CK·3739Dawaun Parker Goes In Studio w/ Maschine06.17.2010 · Berkely grad and Aftermath staff producer Dawaun Parker takes viewers into his home studio to talk about how NI Maschine fits into his music making workflow
- CK·3728Oddissee Talks Influences, Division Within Hip-Hop06.15.2010 · Just strong, consistent work ethic is what I'm known for.
- CK·3705DJ Muggs Talks Kill Devil Hills, Working w/ Ill Bill06.10.2010 · According to Muggs, the two spent roughly 10 days together going through sounds, samples, and unfinished beats before recording.
- CK·3640Q-Tip On "One Love", Production Vs. Rapping06.07.2010 · Q-Tip continues his Grind Music interview to discuss first receiving recognition as a production with the release of "One Love" by Nas and preferences for
- CK·3638DJ House Shoes On Non-Vinyl DJ's & J Dilla06.07.2010 · Elevator Hip-Hop caught up with Detroit native DJ House Shoes to discuss Detroit hip-hop, J Dilla, vinyl records, and production tools of choice. House Shoes
- CK·3619Oh No Incase Commercial: iPad Cases & Music Technology06.05.2010 · All I do is kick that raw, raw stuff. That raw, nasty, gangreen go jump off a bridge, toilet bowl music, disgusting, nasty... that's what I'm about. That
- CK·3604DJ Premier & Pete Rock: Personal Competition, Classic Eras06.02.2010 · We both ran a whole decade. A lot of producers and artists can't do a whole decade.